Food and Drink

Cooking at Mt. Harmon

 

Food and Drink:  Website Resources

Cooking at Mt. Harmon
Mt. Harmon Kitchen

For authentic recipes, see the links on our Period Cookbooks and Receipts page!

Other resources include – 

SavoryFare2 (Yahoo Group) 

18th Century Cooking Videos on Youtube from Jas Townsend  (this one on building an earthenware oven, but 168 in all)

Savoring the Past (a companion blog)

Food History Jottings (Blog) 

A Taste of History with Joyce White (blog with many interesting recipes also)

Hearthcooking.com (a compendium of useful information)

Historic Food (British website, “high-end” cooking)

Website of Clarissa Dillon, noted expert on 18th century domestic arts, focusing on SE Pennsylvania. 

For pictures of drinking coffee, tea, and chocolate – and accouterments, here’s a good board on Pinterest

A Bountiful Feast

Whist

Whist is a four person game that was popular, similar to (and a precursor of) bridge today. The persons across the table from each other are partners. To begin, the Dealer shuffles the card, then the person to his right cuts.The dealer deals out all cards, starting with the person on his left. When he comes to the last card (dealt to himself), he turns it over so everyone can see.The suit of this card will be “trump” (hearts, diamonds, clubs, spades).  He then picks it up and puts it in his hand, along with the others.

The Play:

The person on dealer’s left (“The Elder Hand”) begins by laying down a card. This is “the lead”.  Each person follows in turn, moving clockwise, until each has played one card.This one round of four cards is called “a trick”.

Each player must follow the suit of the lead card, if he or she has any cards in that suit.  So if a heart is led, each player must play a heart.  If the player does not have a card in the suit led, however, then he or she may lead a “trump”.  The highest card wins – this is called “taking a trick.”  Normally the highest card is the highest in the suit that is led, but a card in the trump suit will win over the suit led.  That is why it is called “trump” – it trumps anything else. 

  •  For example:  Clubs are trump.  Player 1 leads the King of Hearts.  Player 2 lays down the Ace of hearts.  Player 3 (the partner of player 1) plays the three of hearts, and player 4 leads the five.  Player 2 wins, with the Ace.
  • OR:  Suppose that Player 3 (the partner of player 1) doesn’t have any hearts, but he does have some trump, and so he plays the three of clubs.  Player 4 leads the five of hearts as before.  This time Player 3 wins.  Even though the three of clubs is very low, it is the highest trump.
  • OR: Suppose that Player 3 (the partner of player 1) doesn’t have any hearts, and so he plays the three of clubs.  This time Player 4 doesn’t have any hearts either, and so she plays the five of clubs.  This time Player 4 wins, since the five is the highest trump.

The partner of whoever wins that round picks up the “trick” (the four cards played) and places it in front of them, face down. The person who wins then leads another card to begin the next round, and so forth until all the cards have been played. This one round of play is the first “hand”. 

The players go on to a second “hand,” which is played the same, except the dealer is the next person on the left.  Everyone goes on playing hand after hand until the players decide to quit. 

Remember:

  • The highest card in the suit that is trump wins.  If there are no trumps played, then the highest card in the suit that was led wins.
  • You must play the suit that was led (“follow suit”) if you can.  You can only play a trump if you have no cards whatsoever in the suit led.
  • If you have no cards in the suit led, you do not have to play a trump.  You can play something else, as a “discard”.  A discard never wins, so should be something you don’t want or need.

For example:  Clubs are trump.  Player 1 leads the Ace of Hearts.  Player 2 plays the four of hearts.  Player 3 (the partner of player 1) is out of hearts, so he plays the two of hearts.  Player 4 plays the five of hearts.  Player 1 wins, with the Ace.

Scoring:

Scoring Each Hand — The couple with the most tricks wins the hand.  Each trick over six counts as one point (a “trick point”).  More hands are dealt and played until one couple gets the number of points that is set for a “Game.”  

Honor points:  Honor points are given when one couple has, between their two hands, either three or four of the highest cards (“honors” = Jack, Queen, King and Ace) in the trump suit.  Four points are given if they have all four honors, and two points if they have three of the four.  To get honor points, the couple must “call honors” – i.e., say that they have the honors.This must be done before the next hand is dealt — normally toward or at the end of the hand, when the honors have been played.

 Revokes: A revoke may happen when you mistakenly think you do not have the suit lead and play a trump, but in fact you still have a card in the suit led that you should play.This is something that must be corrected, if possible, before the round is over and the trick is picked up.If not, it is a “revoke”.If the other couple notices this before the game goes on to the next hand, they must “call the revoke” – i.e., say something about it.Then the couple that committed the revoke is given a penalty of three points.The other couple can choose whether to add these three points to their score or deduct them from yours.

 Scoring the Game — The number of points in a Game varies.  It could be ten points, seven or five.   In traditional English play, a game would be ten points. The ten points could be made up entirely of trick points, but there could also be honor points or revokes.  It appears that in 18th century America, however, it was more common to play a game of five points (“short whist”) and one might also skip points for honors (but points would still be given for revokes).  A game might also be played for seven points.The players should agree on this ahead of time.  

 

 

Dance

Ballroom, Gadsby's Tavern Museum

The attitude toward dance among the colonies varied.  Philip Fithian, a young Presbyterian student from Princeton hired as a tutor by Virginia’s Robert “King” Carter, quickly discovered that, unlike people in New Jersey, Virginians loved to dance.  Dancing masters would travel from plantation to plantation, teaching the children posture, manner and deportment as well as the latest dances.  As Lord Chesterfield wrote to his illegitimate son, “If a man walks well, presents himself well in company, wears his hat well, moves his head properly, and his arms gracefully, it is almost all that is necessary,” and the best way to learn it was to study dance.

A ball would typically begin with minuets, danced by one partner at a time.  Slow and elegant dances, with an emphasis on intensity and form, minuets were the “tango” of the 18th century.  (Click Minuets here for more.)  The minuets would likely be followed by the “English country dances,” danced in long lines with partners facing each other, as in this example.  Other common types of dances were French cotillions, an early form of “square dance,” and also hornpipes, jigs, and reels.   

Selected Bibliography and Resources for 18th Century Dance in AmericaBallroom, Gadsby's Tavern Museum

Kate van Winkle Keller and  Charles Cyril Hendrickson have published numerous excellent “how to” books and histories, e.g.

Dance and Its Music in America, 1528-1789 

The Playford Ball, 2nd Ed.

No Kissing Allowed in School!

The Richmond Assemblies 1790-1797

A Colonial Dancing Experience 

John Griffiths, Dancing Master 

Social Dances from the American Revolution 

Another noted expert, with emphasis on the more refined and stylized aspect of 18th century dance, is Wendy Hilton —

Dance and Music of Court and Theater (Preview can be found on Google eBooks)

Playford’s The English Dancing Master is now available online.  And here’s another version with the music!

For an explanation of the different steps, here are some websites:

  DCDancenet

  The Round

Videos of people actually dancing particular dances can sometimes be found on Youtube.  Here’s Childgrove for example.

An excellent resource for English Country Dance is the Country Dance and Song Society

A detailed overview of Baroque, late 18th century, and regency dance as well as original dance instruction manuals are available at the Library of Congress website.

 

 

 

 

 

Welcome!

A Meeting at Londontown, MD

A Meeting at Londontown, MDThis website is about eighteenth life – resources for reenacting period life, for education, or just for fun.

The content focuses in particular on the colonial, revolutionary war, and early federal periods in the eastern (and especially mid-Atlantic) United States.

New items will be added periodically  – check back from time to time!

Fashion

1775 Fashion Plate

1775 Fashion PlateFashions for men and women changed dramatically during the eighteenth century.  In general, as the century progressed, fashions required less and less fabric and (for women especially) relied more and more on trims and other decorations, until the fairly abrupt switch to “Empire” and “Regency” fashions at the end of the century.  While “common” clothing remained fairly similar throughout the period, for those who could afford it styles and preferred fabrics and colors changed with the seasons as well as year by year.  At first, those who wished to follow the latest French and English fashions relied on written descriptions, dolls with sample clothing that were shipped to the colonies, and “personal shoppers” in London and Paris who might be agents or friends.  Soon, however, magazines such as the Ladies Magazine included colored plates as well.  Following is a sampling of the many useful websites and images available on the internet and a short bibliography of books that we’ve found particularly useful.  Pinterest has many interesting boards also – so many that we won’t attempt to list them here.  

 

Useful Books

Whatever Shall I Wear, by Mara Riley 

Costume in Detail, by Nancy Bradford

Eighteenth-Century Clothing at Williamsburg, by Linda Baumgarten 

Costume Close-up, by Baumgarten, Watson, and Carr

Fitting & Proper, by Sharon Ann Burnston

(A more extensive bibliography can be found at Mara Riley’s website, and the Victoria and Albert Museum has a list of 18th century fashion resources, along with- elsewhere on their website – many original garments and other useful information)

 

Useful Links

18th Century Clothing Notebook (extensive links to extant garments – but for V&A links only go to search page)

18c New England Life (useful basic advice and information)

The Regency Fashion Page (1790s on, good for fashion plates) – (this link seems to have a website problem at this writing, but keep looking for it .)

Burnley & Trowbridge (suppliers of books, fabric, patterns, sewing and costume accessories)

William Booth Draper (ditto)

Kim Walters at The Sign of the Grey Horse (a wide selection of reasonably priced 17th-19th century reproduction and historically inspired jewelry for men and women)

The Silly Sisters (suppliers of finished clothing, stays and accessories)

The Recollections of JP Ryan (reliably authentic patterns)

The British Museum – album of prints and cuttings of ladies fashions

Donna Thorland website – a useful collection of links, including to sutlers, from this successful writer of 18th century romances.

Free Patterns from LACMA

A general listing of free patterns (various periods, no guarantees!)